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The Penland-Inspired Poetry of Pierce Freelon
Pierce Freelon, musician, educator, poet, and activist, performed a specially-commissioned series of spoken-word pieces at the 26th annual benefit auction on August 13, 2011. In preparation, he spent a few days at Penland in June, exploring the studios, meeting students and staff, and taking in the mission and atmosphere of the place. He did quite a bit of writing as well, completing several of the poems during that stay.
The performance itself was a great success, earning a standing ovation and opening the Saturday live auction with a spirit of generosity and excitement.
Click here to read an interview with Pierce in June on the Penland Sketchbook Blog
Click here to visit Pierce's website
The Conductor
*inspired by the upper and lower metals studios and the iron studio
click bang klank
click click bang klank
click bang klank
click click bang klank
music to my ears
welding melodies
with methodical precision
these musicians wield metallic instruments
sculpting copper and silver
like a classical composer
students write steel symphonies
and metal is the conductor
slamming hammers into anvils
like xylophones creating notes and tones
that send chills through my bones
I feel like I'm in a jazz club
during the Harlem Renaissance
artists are all around me
improvising, collaborating and synthesizing
connected like the links in a chain
breathing life into brass like Coltrane
but instead of blowing saxophones
they hammer notes out of cold stones
older than pterodactyl bones
creating jewels of various hues
I've watched them bend wires
like guitar strings singing The Blues
with a pick and metal pliers
I'm inspired by the love
it seems blacksmiths have
just a little more iron in their blood
whether you design rings that
look like they were meant for Mayan kings
or melt metal into golden streams
as architectural structures
emerge from your dreams
I love to listen when your hammer
sings
click bang klank
click click bang klank
Click here to watch Pierce rehearsing "The Conductor" at Penland in June
how does one grow glass flowers?
how does one grow glass flowers?
it starts with an idea
when a seed is planted
within you and grows like a weed
waiting to blossom in the sunlight
glass flowers are born
of the same soil that produces all flora
you nourish the sand with a blow torch
much like the suns rays
and watch while heat waves
transform energy like photosynthesis
blowing glass like trumpets for royal empresses
two lips breathe life into crystal tulips
and the seeds of inspiration reach fruition
dragons are not fantasy
they live and breathe fire in glass studios
with lungs full of hot coals
these young artisans blow
I've watched flowers glow
like a molten hot rose
and though I petal prose
and spit piping hot lyrics
and blistering flows
I still stand in awe of the beauty enclosed
in a glass flower
Click here to watch Pierce performing "how does one grow glass flowers" at the annual benefit auction
African Seamstress
*inspired by Penland’s upper and lower textiles studios and my grandmother, the late Queen Mother Frances Pierce
I'm comfortable in my own skin
because my grandmother was an African seamstress
she stretched cinnamon fabrics over my bamboo bones
wrapped me in bronze flesh hemmed in crimson
stitched the finest traditions into my linens
I wear her heritage with border line arrogance
wrapped in ceremonial African melanin
I'd stand as silent as a mannequin
starring as my grandmothers hands
plucked the strings of her loom like a mandolin
her womb must have been full of beautiful fabrics
because my mother resembles a quilt
hair of wool stitched into black silken skin
with a cotton white smile
Queen Mother was a master of textiles
four brown grand-babies busting at the seams
she bundled us in her kente cloth
and carried us around with her wherever she went
threading us through flea markets and festivals and venues
she would then use
those experiences to deepen our hues
saturate us in madder so we could know our roots
and emerge from our burgundy baptism
ready to tailor our dreams
and adorn the world
like an African seamstress
Click here to watch Pierce performing "African Seamstress" at the annual benefit auction
watch the thrown
*inspired by the upper and lower clay studios at Penland School of Crafts
for thousands of years human beings have thrown things
ancient Greek Olympians threw javelin and discus
we throw coins into fountains
frisbees and fishing lines
I teach at UNC where students throw parties
and people drink until they throw up
while watching athletes throw footballs
but here at Penland
when I first walked into upper clay
I felt as if I were in a middle school cafeteria
students sat at their desks
fists full of what looked like mashed potatoes
ready to throw with reckless abandon
I felt the overwhelming urge to duck
one man sitting on a clay caked stool
told me that when his wife
gets really mad at him she throws things
all different types of things
she throws plates
she throws cups bowls and vases
whatever she can get her hands on
but this is not domestic violence, see
this is domestic vibrancy
my friend Bobby Kadis told me
he likes to throw things too
he throws sculptures and pots and mugs
until his fingernails are stuffed with clay
like God's fingernails must have been
when she first sculpted her son Adam from the dust
in throwing classes
two hands and an open mind can transform the Earth
literally transforming the earth beneath our feet
by rotating it 360 degrees on a wheel
much like the Earth's axis - what power
the Blue Ridge Mountains
remind me of Mount Olympus
I've watched apprentices of Zeus
burrow through boulders
and throw from their thrones
they eat dinner off tectonic plates
carving fault lines into the Earth's crust
they serve us a slice of life
fresh from the furnace
glazed and burnished
one man told me he quit his job as a banker
exchanged earning pay and owning stocks
so he could mold clay and throw pots
his latest piece is a gravestone
he sealed his past life in a ceramic sarcophagus
and ascended from the kiln
like a clay phoenix
ready to exhume his soul from its tomb
free from his porcelain prison
he scaled the Appalachians
to study under a sage emperor
and learn how to produce China
like a terra cotta warrior
he dug into the experience
and now shapes and molds his own destiny
years later he appreciates the ability to throw
having thrown himself into the experience at Penland
Click here to watch Pierce performing "watch the thrown" at the annual benefit auction
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